Showing posts with label Mom. Show all posts
Showing posts with label Mom. Show all posts
Tuesday, November 19, 2019
USE WHAT YOU GOT; USE EVERY ITTY-BITTY THING GOD GAVE YOU OR THE DEVIL SOLD YOU; USE YOURSELF UP
1.
Use it like a gun
or a pocket mirror;
use it like a hairy fist,
or a set of fast thumbs.
Use it
as if your mother is hiding
inside you,
clocking your action,
judging, finger pointing,
wagging her stupid floppy tongue
cursing your infidelity.
Your memories
are simply oiled up
& begging to be caught.
Catch them.
Let the wind
drive them into your bones.
And let your bones rattle
and scatter in God's celestial crap-game.
2.
Make love to your disease--
if you're lucky enough to have one;
it pleases the gods
who thought it wise
to grant you a gift.
Embrace
its confines,
lick the edges
where, as all fugitive lovers know,
lies the sweetness of evanesence.
Your disease
will make you a better liar,
a better fabulist,
a better spinner of tales;
in short, a better artist.
3.
Winter has leaned early
into your crib
and froze your sap.
4.
I am
an old bull elephant
in must...
5.
Since I was a young boy
the fears have come
with regularity; I hold
an empty can of Coke
in one hand
& a Lucky in the other.
Neurosis drips
over the side of the bed
& pools in the can
with the ashes.
They are all useless
except as instruments
like music.
I have sung
the sad meat of my bones
and now gnaw the gristle.
I'll take some hot sauce with that...
make it to go.
Norman Savage
Greenwich Village, 2019
Labels:
art,
art & artists,
Disability,
disease,
Fabulists,
hot sauce,
Infirmity,
memories,
Mom,
Mother,
mother's love,
stories,
writing,
Writing Tools
Saturday, July 20, 2019
EVERY DAY, A HOT, STEAMY, CONEY ISLAND SUMMER
A carousel of women
encircle my brain;
some demur & lovely
in their tease
& some fierce & subversive,
all locked for a moment
in a terrible beauty
& embrace
of my choosing
what to remember
and why
to remember it.
Eyes wide
with panic--
or is it fear
--proudly prancing
their manes dancing to deities
of visions sung loudly
proclaiming my birth
and my lies.
Yes,
my memories
oiled up
& waiting
to be caught
in this arcade,
this hothouse
of simulacrums
while my mother hides
inside the ride,
clocking my action,
judging,
finger pointing,
wagging her stiletto like tongue,
cursing my infidelities now,
then, and those to come
to term
leaving her free
to pull the levers
and adjust.
Norman Savage
Greenwich Village, 2019
Labels:
A Coney Island Summer,
Amusement Park,
Arcades,
carousels,
Coney Island,
heat,
Illusions,
love,
lovers,
memories,
Mom,
mothers,
sin,
summer,
women
Thursday, April 26, 2018
MOVE OVER MOM...MORE THAN A SOMEWHAT RANCID PLEA
some other women
want to fuck me
and you guard the gates
like you own me.
Don't be selfish,
let them
get under the covers
too. Big bed,
plenty of space
in my head
& yours.
You've had me
so long
& I've grown so old
there's not much danger
in you not going
into the dirt with me.
And they're so young
& so beautiful
& so foolish
& forgetfull
& eager
to please.
Yes, smaller breasts,
yes, gentile minds,
yes, making statements
with their pussies;
yes, from Senagal,
from the lower east side,
Jamaica, Princeton, jail,
but they know
my heart
& where it runs
along a long line
of blues singes.
I've sponged up
your neurosis
like it was milk.
Your shelf life
seems to be past.
So before
you curdle
and my belly bloats,
ease up,
& let up,
& please
move the hell over--
I've got someone
coming over.
Norman Savage
Greenwich Village, 2018
Sunday, December 10, 2017
TAKE WHAT YOU WANT, GOD IS DEAD AND HIS MOM WENT SHOPPING
The world will soon explode
from grief.
Young black & white girls
expose fecal tunnels of love
on CraigsList for cheap
tradeoffs of minimum wage
allowing the breath
of truck drivers
& university professors
to reach into their innards
& steal what never was:
youth & possibilities.
Russia is mad
with memories
& China with rice futures;
India keeps trying to grow
deserts of food
& the Congo beats drums
of failures & fortunes.
A crippled falcon
cannot be seen or heard
as the circles grow wider
above Christmas sales
& Hallmark bromides.
Our guts get pulled out
struggling with biology
as our little experiment
is unraveling.
Our only meal
is eating pussy
or sucking cock--
damn the nutrients.
Money & pleasure
should be the faces
on bills of exchange:
Caligula, Nero,
Mick Jagger.
Mom will be back
soon...unless
she gets trampled
in the rush
to be first
when the store
opens. She wants
an X-Box.
She's determined
not to lose
another son
that has yet
to be
conceived.
Norman Savage
Greenwich Village, 2017
Labels:
black and white girls,
Caligula,
China,
Christmas,
God,
God is dead,
Hallmark cards,
holidays,
India,
Mick Jagger,
Mom,
Nero,
Russia,
Store sales,
The Virgin Mary,
The World
Wednesday, November 8, 2017
PACK YOUR SHIT
You've got
six months
to live.
Non-negotiable.
No,
this is not
Hemingway.
No,
this is not
art.
Yes,
this is
cancer.
(mommy)
(Mommy)
(MOMMY).
Norman Savage
Greenwich Village, 2017
Thursday, September 29, 2016
HANDS-UP, MOTHERFUCKER!
I was in
deep shit.
Walled
in the placenta
of doom.
Just whispers
carried
by a tube.
No crazed Latinos
signing on the sides
of trains. No one
protesting. This
was God's turf,
His zip code.
Her cord
kept me
stoned
enough
while I heard
her fight
with a cock
& all her other
demons
as she schitzed along
on her busted wires--
--until those Klieg lights
& Arctic cold fucked me
beyond belief. I stood
naked in that prison yard
of cold steel instruments
& rubber gloves
& wondered: where
did the time go & why
it didn't take me
with it? How blood reasons
before the brain computes
and how
I was really
nowhere.
Norman Savage
Greenwich Village, 2016
Sunday, May 8, 2016
HAPPY MOTHER'S DAY
I think I like
driving best--
especially wet
etched gray days,
slick tears
against the windshield,
the slap of ribbons
of black rubber
& rhythms of tires
spitting pebbles,
cigarette pursed
between lips
listening to Uchida,
a Mozart sonata,
or Miles'
One For Daddy-O.
The grip
loosens,
humanity
fades.
Women escaped me.
No one more so
than Annie,
my mom: cold,
distant,
suffocating.
But she did
house me, & did
care for me
as only she could
before she lost
interest
& control;
and I want her
to know
I'm grateful
at least
for that.
Norman Savage
Greenwich Village, 2016
Labels:
driving,
Miles,
Miles Davis,
Mom,
Mother's Day,
Mozart,
Uchida,
women
Friday, August 14, 2015
BEING DEAD WAS A LIFE WORTH LIVING--FROM CHAPTER VI--CONFESSIONS OF AN UNCONTROLLED DIABETIC
Drugs are the “great equalizer.” Everybody who abuses them is the same age, around three months old, emotionally not yet at a stage when they can ingest solid food, and having no teeth to masticate, they nurse at the nipple of liquor and reefer, or the powder or liquid of junk, coke, or both.
There’s a major difference between a “hope fiend” and a “dope” fiend. “Hope fiends” gives someone their money and they “hope” he’ll come back with the drugs. A “dope fiend” goes out and gets his own. In today’s drug market some who are wealthy or are too scared to go into neighborhoods that cater to street addicts, can have their drugs delivered, which at the end of my use I did. But in the sixties and seventies you went out and got it, or you were lucky to get it brought to you while you waited, and waited, expectedly on street corners or the vestibules of buildings.
When Bobby, the construction worker, confided in me that he was using junk, I told him that I had used and wanted to use again.
“No problem,” he said. “You can meet me at work or I can bring it back here to you.”
“I’ll meet ya,” I replied.
Bobby had a friend in Seagate, Michael G., a school teacher, who had just gotten a ten thousand dollar inheritance from his grandfather. He was just “chipping,” a phrase used by junkies to mean “using just a little occasionally,” and he asked Bobby if he could turn his inheritance into some real money. “Sure,” Bobby told him, by buying “weight” (a significant amount of the drug), he would get heroin that was purer and thus could “cut it” with agents such as lactose, maltose, quinine, etc., tripling or quadrupling his money, and getting high at the same time. How could a dope fiend pass up an opportunity like that? And so, every day Bobby and I would dip into his stash, take out some of the purer heroin that was waiting to be cut, exchange that for the real cut, and get high with it.
Syringes were, of course, no problem for me to get or get accustomed to using. Soon, instead of snorting scag, we were shooting it. And that was the bridge, which transcended the traditional “transitional objects,” like a nipple, thumb, or favorite blanket that psychologists would identify that connected me to my mom and her womb. Unlike my insulin and syringe needle which allowed me to merely exist, the needle on the syringe of junk (that contained an ironically cloudy thin milky substance that looked like the insulin I used), allowed me to be close to mom and her “safety” while allowing me my fantasies.
For someone like me who had always struggled with inchoate voices and craved a kind of independence I’d never achieved--a separateness from both my mother and father--junk worked. (Once I’d found the drug and it had “solved” all these confused and conflictional “I’s” it provided a fierce discipline to the passing hours and at the same time a liberation after injecting it.) Heroin, and all drugs, are inert. Dead. You have to pick them up and use them; you have to impose on them your own symbols, myths, and affect. Suddenly you realize, without being told, that she, heroin, will not tolerate any other gods, competition or intrusion. I couldn’t trust my family, let alone other humans; they’re inconsistent at best, liars and emasculators at worst. But that which is dead is wonderfully consistent. And if you’re obedient and persevering, she will reward you. If not, you’ll be sick.
I believed then, and I believe now, that heroin was, in large part, medicinal for me. Like insulin I needed the junk not to be sick. It slowed everything down and quieted the voices, both inner and outer. I could stare at my sneaker for four hours and be very content, “Yeah, a sneaker, yeah, that’s cool.” It grounded all the loose wires in my head and body. It worked in a variety of forms, all of them insidious. I suppose that’s how the term “fix” emanated. It did “fix” me in place and time; it did “fix” and keep the world at bay and in place. When the whole world seemed chaotic and threatening, this drug supplied a numbed and safe consistency. I wanted to be uninvolved, uncaring, and not of this world. Junk did all that and more. The middle-class life, espoused by my Jewish middle-class parents and upbringing, was severely challenged and usurped by the route my existence had taken years before I became immersed in the abuse of mood altering chemicals. It gave me an identity. Instead of being a “sick” diabetic--in some ways deformed, a freak--I was a rebel poet, a tough but romantic junkie, smart, too. Just what the other doctor ordered.
The good news was that heroin, unlike some other drugs that I had been using, had no apparent affect on my diabetes, at first. Though I didn’t crave food, I could eat when I needed to, but the danger in long term intravenous use is, of course, physical tolerance and addiction. The diseases attenuated to heroin addiction are many including hepatitis, pneumonia and HIV/AIDS. However, that says more about the lifestyle of the junkie than the drug itself.
The taboo of heroin forces the user into the bowels of whatever place he/she happens to inhabit. The degradation, while not swift, is, however, legendary. I was lucky. I was white, middle class, educated, and my “runs” while never short (one to three years) were never that long either, and because these “runs” were usually done in the homes of those who had jobs, I always had shelter, food, and clothing. Also, my diabetes in a freak happenstance saved my life. Had I’d shared needles to shoot up, which I never did, I would have been vulnerable to the ravages of AIDS; an horrific by-product for those who were only trying to cope with the hands they were dealt. I am in no way trying to justify, excuse, or exonerate those, myself included, who have done horrible things, not only to themselves but to other people, especially to those other people who at one time trusted, even loved them, and perhaps still do. I am not proud of some of the things I’ve done and imagine other people feel likewise.
Michael G. and his wife left for a two week vacation that summer. He also left any hope of having any heroin when he returned. Bobby told him it was stolen. I told Bobby to wear a long sleeved shirt, even though it was a steamy New York August.
Michael believed him because he wanted to believe him, and bought more, and started to use. Big mistake. Years later, after I had stopped using, I ran into Michael on Eighth Street, in Greenwich Village. His eyes looked like they were back lit. They were radioactive. They glowed. He told me he was on the methadone maintenance program, swallowing three hundred milligrams of that orange-colored juice a day. The average dose at that time was forty to sixty milligrams. He had some habit.
If my folks saw my glassy eyes or heard my slowed speech, they pretended not to. Maybe if I nodded in the chicken soup, they might have suspected something extraordinary was afoot, but not yet. They suspected, but couldn’t confront. They were afraid of me and a situation they knew little about. How the weak tyrannize us! What they said instead was, “You need a job.” I turned some of my attention to finding one.
The reality was that drugs were becoming more important than any sexual union. Heroin takes the place of women. Perhaps that’s one reason why heroin dealers used to be called, “Mom.” The style that I hadn’t achieved in the bedroom was achieved by the style that I practiced and perfected in drinking and drugging.
Years later, “Mom” became my doctors and any object that enabled me to “safely” bridge the divide between me and the outside world. The hours of frustration I’d tolerate waiting in a doctor’s office for a prescription of Percocet, Vicodin, Oxycontin, Morphine or Dilaudid as I did forty years before when I was waiting for a connection on the corner of 128th Street and Lenox Ave, was preferable to the uncertainty, anxiety, and depression that I experienced in all my waking hours. But when I turned my doctor’s into dealers, it was not only “legal,” but less threatening, too. With my doctors I could use my diabetes and my denial of having diabetes to my advantage to obfuscate and subvert the reality of having to grow up and face a reality of being independent and separate from my parents. I was good at an early age at “playing” a grown-up, but never much good at being one. I was able to use my diabetes to legitimize my request to pretend: my shoulder was frozen, my toes amputated, my teeth and gums turning to rot, my heart by-passed, a diabetic ulcer aggravated. That “physical truth” obscured my underlying psychopathology that would, over the course of time, prove more destructive to me in regard to making my own way in the world including, of course, social relationships. I didn’t know it at the time, but the wall that had been created shortly after my birth separated me from all others.
Whatever intelligence and personality I possessed was in service of whatever drug I was doing. So, whether it was a tooth abscess or something worse, I took each and every opportunity to feed the demon. In fact, I relished having a tooth abscess or other illnesses which required pain medication. I couldn’t wait to get to their offices, and engage in what I thought was intelligent conversation and begin manipulating them to get out their pens. Seeing what was a triplicate form for narcotics (and then was streamlined to just one prescription Rx) would excite me enough to cause my heart to beat fast and my bowels to loosen. Codeine, I would say, would upset my stomach, while Percocets would not. But, if forced, I would take codeine, too: “Tylenols 4, please.” And sometimes I would then try a different doctor to get the pill I really wanted and I’d keep the codeine as a “booster.” Then I’d pray that there’d be no line at the drugstore. I’d wait there while the prescription was being filled, angry with impatience. Hearing the sound of those pills cascading into the vial--sometimes three or four hundred of them--filled my body with joy. I knew I was “home” and would also be there soon. There, too, was the mystery of the Internet. Searching and ferreting, out those sites I could trust to deliver. And there were the excursions into Washington Square Park to make the acquaintance of a real “black drug dealer” who, for a surcharge, would give me his beeper or cell phone number, and go into neighborhoods that I now, because of my age and vulnerabilities, feared, to get the drug for me and bring it back to my apartment. Finally, to be alone with my drugs, the world outside safely at bay.
I had my own ritual with pills: take two or four upon awakening, take a shower and brew some coffee because I wanted to enjoy the first sensation of the rush of opiates while not getting too numbed, then wait another few hours and take a few more, piggybacking on the first. That game plan would hold true through the day (though I’d usually substitute hot tea for coffee, making the pills come on faster) until I thought I could lay my head down and find blessed sleep at night. Of course, I’d count my pills diligently, as you would count bags of dope, or bags of reefer, or bottles of booze, or money; I’d know exactly when I’d need to gear up to find more.
Shooting junk, to use a sixties expression, was my thing, even though it was difficult finding my thin, rolling veins, which tapped into my masochism. But the reward! I’d feel, especially at the beginning, orgiastic. I’ve had more powerful experiences like shooting dilaudid, a synthetic narcotic; a yellow/orange pumpkin exploded behind my eyes. But the high, while similar to scag, was too frazzled for me. Speed balling (injecting heroin and coke together, creating a roller coaster of a high) was interesting, but not as smooth as dope. With junk, you’re out to sea, drifting, nodding. Finally, everything, even your defeats, makes sense.
Coney Island was deteriorating as quickly as I was. It was drifting, into the urban ghetto it is today. The Jews, Italians, and Irish had taken off for greener pastures, as did most of the manufacturing jobs that New York City and its boroughs were built on. It left in its wake the crushing sense of hopelessness that intergenerational poverty brings except for three businesses which thrived: liquor stores, bookmaking operations, and drugs. It didn’t take long for me and Bobby to find the kind of “hope” we wanted.
Also, at the same time, a friend from my New School days introduced me to a dyke singer from a band who lived with her “wife” and who was a junkie and who sold junk on the side. I was traveling to and from Manhattan for my fix, which was better than what they had in Coney Island. I came upon some pretty bizarre scenes over there, a ceremony celebrating the artificial insemination of her “wife” with the sperm of her lead singer. She said it was because of his voice that she chose him. I attended a gathering of her lesbian “boosting” club (“boosting” is an expression that means stealing), of which there were fifteen or twenty members getting blessed by a Filipino priest before descending upon Macy’s. I would purchase some of her dope, cut it, and sell it in Brooklyn, or I’d visit my father’s store, steal some steaks, and trade them for dope. I felt guilty, but not that guilty.
pgs 70-73--From Chapter VI, JUNK SICK: CONFESSIONS OF AN UNCONTROLLED DIABETIC
Norman Savage
Greenwich Village, 2015
Saturday, March 28, 2009
Fore-Play, Here-Say or Wish-Full Thinking
Longer and dryer
then a sealed empty jar
I wait
without sex
wishing perhaps
to die
with an erection
and without
a coming god.
He will never come
while I'm alive;
anything else
is fore-play,
here-say
or wish-full
thinking.
I came,
finally,
spilling
between her legs
wet and gleaming;
cursing
the daylight
and spent
the rest of my life
returning
like fucking is--
getting back in,
while getting back
at her.
Norman Savage
Coney Island, 1967
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